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Contact

Katrina Thurman

Get in touch.

For booking inquiries related to performance, masterclass requests, or speaking engagements, please reach out to Katrina Thurman directly through her contact form using the link below. For inquiries related to ePOP or Opera Omaha, please contact her via those organizations and her related email addresses.

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Strong, youthful soprano and sense of comic spontaneity.

"The statuesque Thurman, who in this production looks more like a Hollywood starlet than a Napa Valley landowner, uses her strong and youthful soprano to great effect. The sense of comic spontaneity and sexual brio she brought to the Adina role makes this production a must-see."

THE SACRAMENTO BEE

Sacramento Opera | L'elisir d'amore

Contact Katrina.

Reach her directly via the contact form below and keep up with her projects on social media.

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an immediately bright & warm timbre with picture perfect comic delivery

"The two female leads. . . Katrina Thurman as Adele, were in fine vocal form throughout the evening. Thurman’s light lyric soprano, which borders on soubrette, is perfectly suited to the role of the maid, Adele. She has an immediately attractive bright and warm vocal timbre. . . During Thurman’s Broadway-like number If I were a Country Girl, where her character is asked to prove she has sufficient talent to be an actress, it became abundantly clear that this is a singer equally at-home with musical theater and opera. Thurman’s signature second-act number, the Laughing Song, was for my tastes the standout number of the production. This irresistible waltz can paste a smile on every face, inviting the listener to sway side to side in-time with each OOM-pah-pah. And her delivery was picture perfect. Thurman is also a fine comedic actor who several times nearly stole the show with her onstage antics and gesticulations. Her whining and maudlin tears over her “sick aunt” were a constant source of belly laughs throughout the first act."

Opera Today

Adele, Die Fledermaus | Syracuse Opera

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