LA BOHÈME; Lyric Opera of Kansas City

“Katrina Thurman played the flirtatious and independent Musetta, the once and future lover of Rodolfo’s friend Marcello. . . her soprano voice . . is appealing and matches her character well. Thurman also proved to be a fine actress in one of the opera’s most comic moments. She kept lifting her skirt to show her leg while her embarrassed lover Alcindoro attempted to pull the skirt down.”

ROMULUS; American Opera Projects

" Katrina Thurman, a soprano, was perky as Martha . . . All of these performers sang excellently, their clear diction a particular boon . . . " - New York Times

LA BOHÈME; Piedmont Opera

"Katrina Thurman as Musetta was perfect in both voice and in her depiction of 19th century sluttiness, all the more appropriate for her later transformation to an empathetic, caring person during Mimi's death scene." - Classical Voice of North Carolina

"The singing is first-rate... Bojan Knezivic as Marcello and Katrina Thurman as Musetta make another fine pair of singing lovers... Thurman also succeeds in tickling the collective funny bone in the way she complains about that "pain" in her foot."- Winston-Salem Journal

ARIADNE AUF NAXOS; Opéra de Lyon

“The rest of the cast upheld the high level (of performance), particularly the three nymphs . . .” - Lyon Figaro

Z MRTVEHO DOMU (From the House of the Dead); Oper Bonn

“The hopes of the young Tartar Aljeja were transported by the round voice of Katrina Thurman.” - Das Opernglas

“ . . . Katrina Thurman as Aljeja shares moments of most tender intimacy.” - Bonn General-Anzeiger

“Katrina Thurman was the highlight in this somber opera without women and heroes.” - Kölnische Rundschau

“That even smaller roles can become substantial is proven admirably by Katrina Thurman . . .” - Kölner Stadt-Anzeiger

“Singers and the chorus are to be praised without exception, especially Martin Tzonev’s Petrowitsch, Katrina Thurman’s Aljeja, and Vladimir Grishko’s Luka.” - Rheinische Post

“ . . . and last but not least, Katrina Thurman as the young Tartar Aljeja, the only major female role in the piece. The highest acknowledgement must be given to these and other colleagues not mentioned here." - NRZ Online

DARDANUS; Oper Bonn

“Katrina Thurman sang the divine interludes of the goddess Venus with a light vocal elegance.” - Frankfurter Allgemeine

“One should note Katrina Thurman’s vocally brilliant European debut.” - Theater Rundschau