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LA BOHČME; Lyric Opera of Kansas City
“Katrina Thurman played the flirtatious and independent Musetta, the once and future lover of Rodolfo’s friend Marcello. . . her soprano voice . . is appealing and matches her character well. Thurman also proved to be a fine actress in one of the opera’s most comic moments. She kept lifting her skirt to show her leg while her embarrassed lover Alcindoro attempted to pull the skirt down.”
ROMULUS; American Opera Projects
" Katrina Thurman, a soprano, was perky as Martha . . . All of these performers sang excellently, their clear diction a particular boon . . . " - New York Times
LA BOHČME; Piedmont Opera
"Katrina Thurman as Musetta was perfect in both voice and in her depiction of 19th century sluttiness, all the more appropriate for her later transformation to an empathetic, caring person during Mimi's death scene."
- Classical Voice of North Carolina
ARIADNE AUF NAXOS; Opéra de Lyon
“The rest of the cast upheld the high level (of performance), particularly the three nymphs . . .” - Lyon Figaro
Z MRTVEHO DOMU (From the House of the Dead); Oper Bonn
“The hopes of the young Tartar Aljeja were transported by the round voice of Katrina Thurman.”
- Das Opernglas
DARDANUS; Oper Bonn
“Katrina Thurman sang the divine interludes of the goddess Venus with a light vocal elegance.”
- Frankfurter Allgemeine
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